Microfoons instrumenten & percussie Beyerdynamic

APPLICATIONS
When the snare drum requires the response more typical of a dynamic microphone, this microphone is tailor made. Utilising the unique double spring clamp system the microphone head is mounted on a flexible gooseneck for optimum positioning.
Ideal for snare drum, rack toms and bongos.

Download datasheet (pdf-bestand)

APPLICATIONS
A "boundary effect" microphone system designed to capture multiple sound sources from direct and reflected sources making it good to use in those difficult to position situations. Its inherent characteristics takes some of the guesswork out of microphone placement.
Ideal for all types of piano and drum kits.

Download datasheet (pdf-bestand).

APPLICATIONS
Designed to work with percussion instruments where its general purpose nature and small dimensions make it a reliable performer wherever it is placed on the kit. Constructed from solid aluminium, it is well prepared for the unavoidable knocks and hits that inevitably occur.
Ideal for hi-hat and snare.

Download datasheet (pdf-bestand).

APPLICATIONS
A very special microphone with lightning-fast response making it a first choice for percussion, acoustic and instrument applications for an "open" sound with detail and presence. For kick-drum applications, this is probably the most frequently specified microphone in the world.
Ideal for kick drum and brass instruments.

Download datasheet (pdf-bestand).

Another classic from the beyerdynamic "workhorse" stable, this microphone has the unique ability of being able to work with just about all sound sources. It is just as effective when working at close proximity or at a distance where its directional characteristic really comes into its own.Ideal for overheads,floor toms and guitar cabinets.

Download datasheet (pdf-bestand).

APPLICATIONS
Configured specifically for wind instruments with a flared bell such as saxophone, trumpet and trombone, this microphone has an ultra-flexible suspension system to isolate it from mechanical noise transmission. Using the integral clip system it can be placed in the optimum position yet allowing for full movement with the instrument.
Ideal for saxophone trumpet and trombone.

Download datasheet (pdf-bestand).

APPLICATIONS
The most important element of a drum kit is the snare - it is hit most often, the hardest and produces a very complex sound pattern. The Opus 87 has been optimised for the snare; both electrically and physically creating an exact sound from a unique, contemporary package with a unique double spring clamp for rock-solid mounting and isolation.
Ideal for snare, floor and rack toms.

Download datasheet (pdf-bestand).

APPLICATIONS
The Opus 88 is an ideal condenser microphone (back electret) for miking drums, especially toms and snare drums. The microphone clamp is equipped with an integrated pre-amp. The microphone capsule is mounted on a short gooseneck allowing optimum positioning. For connection the Opus 88 is fitted with a 3-pin XLR-plug at the microphone clamp. The microphone clamp is also available without pre-amp as MKV 87 with an integrated 3/8" thread.

Download datasheet (pdf-bestand).

APPLICATIONS
The Opus 99 has been developed especially for miking bass drums. The strong neodymium magnet system and a mass reduced special diaphragm give the microphone a powerful reproduction with
excellent transient characteristics. The optimised frequency response guarantees audio quality which has until now, only been achieved by using high-quality condenser microphones. The hypercardioid polar pattern helps eliminate feedback in live applications and allows an optimum channel separation between different instruments. The microphone can operate at very high sound pressure levels without loss of sound quality and virtually no distortion. With the optional ST 99 stand the Opus 99 can be placed directly inside or in front of the bass drum.

Download datasheet (pdf-bestand).